by Chet Raymo
And why not? The vast empty, silent spaces can be frightening. And it's not just that. It's also being cut adrift from our historical moorings, thousands of years of animistic and anthropomorphic tradition, thousands of years of living cheek-by-jowl with the gods. As the Roman Catholic priest Thomas Berry said, the older stories have become dysfunctional, but we have not yet contrived an equally satisfying new story to take their place. Berry tried, valiantly and well. Teilhard de Chardin tried. But they were fighting an uphill battle against the light-years and the eons, against Robert Frost's exterior and interior "desert places."
But maybe the story we are looking for has been here all along, in the mystical tradition of the absconded god, the god who is not this and is not that, who hides in a cloud of unknowing, who eludes even the personal pronoun "who." "What makes the desert beautiful," said Antoine se Saint-Exupery's Little Prince, "is that somewhere it hides a well."
“Snow falling and night falling fast, oh, fast
In a field I looked into going past,
And the ground almost covered smooth in snow,
But a few weeds and stubble showing last.
The woods around it have it - it is theirs.
All animals are smothered in their lairs.
I am too absent-spirited to count;
The loneliness includes me unawares.
And lonely as it is, that loneliness
Will be more lonely ere it will be less -
A blanker whiteness of benighted snow
WIth no expression, nothing to express.
They cannot scare me with their empty spaces
Between stars - on stars where no human race is.
I have it in me so much nearer home
To scare myself with my own desert places.”